Rudimental Ram: “Lickety Split”

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Here is a short video lesson from Vic Firth’s website featuring Emmanuel Deleon showing a difficult rudimental ram called “Lickety Split” that incorporates a wide range of techniques, rudiments, hybrids and stick tricks! The instructor Emmanuel Deleon performed with the Vanguard Cadets in 2006 and the Santa Clara Vanguard in 2007-2009.Emmanuel aged out in 2010 performing with the Blue Devils of Concord, CA.

Enjoy this exercise and keep practicing. As always contact me with any questions or suggestions.

Mr. Brett

For other drum videos visit our YouTube Channel at https://www.youtube.com/channel/UCBVVi3J3KfDZPVLcr8a4iTw

Below is info on Brett Frederickson:
He has been teaching drums for over 27 years including drum line instruction for 17 years. He is a graduate of MI (Musicians Institute); Featured in Drum Magazine, Drum Business and Modern Drummer.Brett Frederickson, owner of DrummersRule.net

- Degreed instructor — Musicians Institute of Technology (MIT)

- Drum Set instructor for over 27 years

- Drum Line instructor for over 17 years winning many State Competitions and Awards

- Featured in magazines including Modern Drummer, Drum Business, and Drum Magazine

- Has Performed and done Studio Work with many bands including Megadeath, Scott Mishoe, Keith Horne, Jeff Kollman, Ray Riendeau and many more.

- Former students have graduated from Berkley College of Music & Musicians Institute

- Former students have received full ride scholarships to ASU, NAU and U of A for drum-line, jazz band, and percussion

- Located in North Phoenix, AZ

Brett’s true passion is teaching students to play drums, in a fun, quality learning environment. So whether you are just getting started, or have been playing for years, Brett can help you take your skills to the next level.

Lessons are for a full hour at $25.00/hr. Come see why his students keep coming back!

Brett Frederickson – Visit Online at http://www.drummersrule.net or call him directly at 602-843-3114.

cymbals2 drummersrule

7 Things to Consider When Buying Cymbals

Choosing ride cymbals is very important for drummers. I’ve noticed that many young drummers who ask me about certain ride cymbals are usually not taking into consideration the music they will be playing. The sound you get from the cymbals and drums is very important and it mainly depends on your touch, but choosing the right equipment is the first step in giving yourself the best instrument to work with.

Many young drummers who are just starting out are not aware how essential it is to use the appropriate cymbal. Overall, cymbals tend to be loud to begin with, especially if they are not played with a mature touch. I find it harder to find a cymbal that has a nice sound and doesn’t get too loud as I play it than a cymbal that isn’t loud enough. I generally use relatively dark rides when playing acoustic jazz and rides that are a bit brighter when playing electric jazz. When I play with acoustic instrumentalist in a cymbals drummersrulesmall room or club setting, I find that the lightest flat rides gave me the airy sound needed to blend with and not overpower the other players.

If you have at least a few different ride cymbals and additional cymbals sounds (crashes, splashes, etc.), you can make choices depending on the musical situations you find yourself in.

Do not settle for what everyone else thinks is the best. listen for yourself, and make your own mind up. There is nothing wrong with taking suggestions, but people have their own preferences and favorites. It all comes down to what your ears say they like. try matching cymbals with other cymbals by ear.

Below are Seven (7) things to consider when buying cymbals:

1. Cymbal Types The main types of cymbals are hi-hats, rides, and crashes. Experts recommend you buy them in that order as you can more blend the other cymbals more easily with your hi-hat once you’ve chosen it. These will be used for the core of your play, but you can also add special effects cymbals, such as Splash or Chinese cymbals, for accent sounds.

2. Size Through the various types of cymbals, you can find ones that are anywhere from 4″ to 30″. And size matters. Smaller cymbals are quieter, they respond quicker and have less sustain. Their sound is tighter and higher in pitch. Larger cymbals are lower pitched and have a slower response; they’re also are louder, have a bigger sound and a longer sustain.

3. Cast or Sheet? Generally considered a “superior” cymbal, Cast cymbals are individually crafted from raw, molten metal. Once poured, they’re rolled, shaped, hammered and lathed. The lengthy process results in a full, complex sound favored by experts and professionals. Because of its individual creation, each Cast cymbal has its own unique sonic makeup, which many say improves with age.

Sheet cymbals are cut from large sheets of metal. As a result, they’re less expensive — but that doesn’t always translate to poorer quality. Sheet cymbals are uniform in thickness and composition, resulting in a more uniform sound from all the cymbals within the same model. They can crack more easily if heavily played.

cymbals3 drummersrule

7 things to consider when buying cymbals

4. Alloy Variations All cymbals are a bronze variation of tin and copper. The most basic, and many starter cymbals, is the B8 (made of 8 percent tin and 92 percent copper). It produces a bright albeit almost brittle sound. At the other end, a B20 bronze is found (20 percent tin, 80 percent copper), which has a warmer and more musical quality. In between the two, you can also find B10, B12 and B15 bronzes.

5. Softer Play Playing jazz and other acoustic music is done with a lighter touch, from sticks or brushes. Volume isn’t as important as obtaining the darker and more complex sounds that thinner and lighter cymbals offer. If aiming for jazz play, focus on getting a good ride and set of hi-hats first. The ride should be medium thin to thin and around 20″ to 24″. A starter set of thin hi-hats should be 14″ or 15″ in diameter.

6. Heavy Play Rock or heavy metal drummers hit harder, so durability is more important. You’ll want a brighter, louder sound that cuts through the mix and can get it through a variety of hi-hats, rides and crashes. Go for medium to heavy cymbals that are quite thick — these will have a higher pitch and vibrate less.

7. Test Them Out Head to a store if possible to bang a few cymbals before buying them. Take your own sticks, and hit the cymbal with a glancing blow, from one side to the other. Not straight on or on an edge. And hit them as you would when you play, not just with a light touch. Try them in different areas of the store if you can, because the surroundings will have an effect on the sound. Another idea is to go to Zildjian.com, where you can listen to the sound of each cymbal. Note, the exact sound may vary, but it will give you a good idea when looking for the sound you want.

Video  —  Posted: September 1, 2014 in Drum Videos
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Learn How to Play a 12/8 Double Paradiddle and Nanigo Groove.

Learn How to Play a 12/8 Double Paradiddle and Nanigo Groove

Whether you’re a first day beginner or have been playing the drums for several years, learning the fundamentals of technique, rudiments and music reading is very important. In this video Brett shows you how to play the double paradiddle drum rudiment. The double paradiddle is a rudiment based off the single paradiddle. It is a 12 note pattern that is often used in a 12/8 feel, or in beats and fills with a triplet feel. That makes it perfect for Jazz, Latin, and other world styles.

In the second half of this video, Brett introduces a Nanigo Groove. In many contemporary settings the terms Nanigo, Afro-Cuban 6:8, and Bembe, are often used to communicate a rhythm or specific pattern played by the drummer or percussionist. When playing most contemporary styles however, these terms are almost always interchangeable.

Enjoy the video and as always, contact me with any questions. 

Brett

 

Looking for drum lessons? Brett offers a variety of tools allowing the student to become proficient in the following:

  • understand basic time
  • develop proper grip, playing area, and sound
  • improve the balance and evenness between your hands
  • play drum rudiments, including the double stroke roll, single stroke roll, paradiddle, double paradiddle, triple paradiddle, drag, drag paradiddle 1, flam, and flam accent
  • develop basic snare drum reading skills
  • interpret drum set charts
  • improve your overall coordination, touch, and dynamics
  • play common groove patterns found in Rhythm & Blues, Pop-Rock, Funk, Rock, Jazz, Brazilian, and Afro-Cuban music
  • play patterns in various time signatures, including 4/4/, 2/4, 3/4, 12/8, 6/8, 9/8, and 5/4

Brett Frederickson – DrummersRule! Drum Lessons

 

Bucket Drumming!

Posted: July 12, 2014 in Drum Videos

Can’t afford a Drum Set? No worries, you could always use Buckets! Remember what I’ve said in the past, that Technique is Technique regardless if you’re playing on a coffee table (hard surface) or a pillow (soft surface). Also, coordination is coordination, keep practicing no matter what you’re playing on. So, let’s see what technique sounds like on a bucket!

This short video features a drummer, Gordo, from Sydney Australia who does many ‘bucket’ performances.To get more on Gordo, visit his Facebook page at https://www.facebook.com/Gordo.Buckets/info.

For other drum videos visit our blog at:
http://www.drummersrule.wordpress.com or visit our YouTube Channel at https://www.youtube.com/channel/UCBVVi3J3KfDZPVLcr8a4iTw

Brett Frederickson teaches how to play a Rute Solo on a drum set. This is the second video in a 2 part series. Brett is playing an improvised solo on his Yamaha Set with Vic Firth 505 rutes.

This video was filmed with two cameras, one moving and the other stationary, and the Audio is combined from both cameras. No Edits or cuts were made to the Audio in this video, and it is played at normal speed.

Brett Frederickson, owner and teacher of Drummers Rule! at http://www.drummersrule.net, offers affordable drum lessons in Phoenix Arizona.

Brett Frederickson is a drum teacher based in Phoenix, AZ who teaches for a living. He has a degree in Music Performance from the Musicians Institute of California, taught drum line for 15 years, has opened up several drum clinics for musicians like David Garbaldi, Ken Mary, and Ray Riendeau, plus doing many clinics himself.

Video  —  Posted: July 5, 2014 in Drum Videos
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